God-Hero Antagonism in the Hippolytus of Euripides
|February 14, 2015||By Gregory Nagy listed under By Gregory Nagy, H24H|
§1. In Hour 20 of The Ancient Greek Hero in 24 Hours (H24H), I wrote about the hero as a mirror of men’s and women’s experiences in the Hippolytus of Euripides with a focus on the key word telos, ‘end, ending, final moment; goal, completion, fulfillment; coming full circle, rounding out; successfully passing through an ordeal; initiation; ritual, rite’.
§2. Today I’m writing to share an upcoming addition to H24H that has relevance for those of you who are reading and analyzing Hippolytus. This is not the final wording that will appear in the second edition of the book, but the gist is as follows:
§3. For understanding the god-hero antagonism in which Hippolytus is involved, it is important to note that:
- Both Aphrodite and Artemis are Hippolytus’s divine antagonists, insofar as a couple of centuries earlier Aphrodite and Artemis were fused in their identities via the epithet Dios thugatēr ‘daughter of Zeus’.
- The descriptions given by Pausanias about the places where Hippolytus is worshipped as a cult hero (Pausanias 1.22.1, 2.32.1–2 = Hour 20 Text E, 2.32.3–4 = Hour 20 Text D) regularly locate both Aphrodite and Artemis in conjunction with Hippolytus’s space. Note that Phaedra is co-located in this same space.
- Similarly, Phaedra is just as much “the hero” of this story as Hippolytus is.
§4. Here is an analogy that we may consider: In the case of Hēraklēs, the pattern of *antagonism in myth* and *symbiosis in ritual* involves not only Hērā but also Zeus as agents of divine antagonism/symbiosis (H24H 1§45–46). It’s just that Zeus is more of a “good cop” and Hērā is more of a “bad cop.”
 This formulation was first communicated to the students in my Harvard college course on ancient Greek heroes via email on December 10, 2014.
 See H24H 20§43 for more on the complimentarity of Artemis and Aphrodite. For more on the epithet Dios thugatēr, see chapter 9 of my Greek Mythology and Poetics, “Phaethon, Sappho’s Phaon, and the White Rock of Leukas: ‘Reading’ the Symbols of Greek Lyric,” 257–48.
Image: Alexandre Cabanel, Phèdre, 1880, [Public domain], via Wikimedia Commons