Bibliography for APRIP

This bibliography to A Pausanias Reader in Progress is itself a dynamic work-in-progress. This document will grow and develop as new postings related to APRIP are published here on Classical Inquiries.


Bibliographical abbreviations

BA        = Nagy, G. 1979/1999. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Baltimore. Revised ed. with new introduction 1999. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Best_of_the_Achaeans.1999.

GMP     = Nagy, G. 1990b. Greek Mythology and Poetics. Ithaca, NY. Revised paperback edition 1992. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Greek_Mythology_and_Poetics.1990.

H24H   = Nagy, G. 2013. The Ancient Greek Hero in 24 Hours. Cambridge, MA. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_NagyG.The_Ancient_Greek_Hero_in_24_Hours.2013.

HC        = Nagy, G. 2009|2008. Homer the Classic. Printed | Online version. Hellenic Studies 36. Cambridge, MA, and Washington, DC. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homer_the_Classic.2008.

MoM = Nagy, G. 2016|2015. Masterpieces of Metonymy: From Ancient Greek Times to Now. Printed | Online version. Hellenic Studies 72. Cambridge, MA, and Washington, DC. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Masterpieces_of_Metonymy.2015.

PH        = Nagy, G. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Pindars_Homer.1990.


Alcock, S. E., Cherry, J. F., and Elsner, J. 2001. Pausanias: Travel and Memory in Roman Greece. Oxford.

Allen, T. W., ed. 1912. Homeri Opera V (Hymns, Cycle, fragments). Oxford.

Burkert, W. 1966. “Kekropidensage und Arrhephoria.” Hermes 94:1–25. Recast in Burkert 1990:40–59. English translation in Burkert 2001:37–63.

Burkert, W. 1990. Wilder Ursprung: Opferritual und Mythos bei den Griechen, Berlin / pp. 40–59).

Burkert, W. 2001. Savage Energies: Lessons of Myth and Ritual in Ancient Greece. Foreword by G. Most, pp. vii–xiv. Chicago. Translation, by P. Bing, of Burkert 1990.

Calame, C. 1977. Les choeurs de jeunes filles en Grèce archaïque I: Morphologie, fonction religieuse et sociale. II: Alcman. Rome.

Calame, C. 2001. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function (tr. D. Collins and J. Orion). Ed. 2 of Calame 1977 vol. I. Lanham, MD. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Calame.Choruses_of_Young_Women_in_Ancient_Greece.2001.

Barrett, W. S. (ed., with commentary) 1964. Euripides, Hippolytos. Oxford.

Cohen, A. 2001. “Art, Myth, and Travel in the Hellenistic World.” In Alcock, Cherry, and Elsner 2001:93–126, 283–289.

Frame, D. 2009. Hippota Nestor. Hellenic Studies 34. Cambridge, MA, and Washington, DC. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Frame.Hippota_Nestor.2009.

Frazer, J. G., translation, with commentary. 1913. Pausanias’s Description of Greece. 6 vols. 2nd ed. London.

Gulizio, J., Pluta, K., and Palaima, T.G. 2001. “Religion in the Room of the Chariot Tablets.” In: Potnia: Deities and Religion in the Aegean Bronze Age. Proceedings of the 8th International Aegean Conference held in Göteborg, Sweden, 12–15 April 2000, ed. R. Laffineur and R. Hägg, 453–461. Liège.

Habicht, Ch. 1998. Pausanias’s Guide to Ancient Greece. With a New Preface (the original edition was published in 1985). Berkeley and Los Angeles.

Harrison, E. B. 1966. “The Composition of the Amazonomachy on the Shield of Athena Parthenos.” Hesperia 35:107–133.

Henrichs, A. 1994. “Anonymity and Polarity: Unknown Gods and Nameless Altars at the Areopagos.” Illinois Classical Studies (Studies in Honor of Miroslav Marcovich) 19:27–58.

Jones, W. H. S., trans. 1918. Pausanias, Description of Greece I–IV (II: with H. A. Ormerod). Cambridge, MA.

Leipen, N. 1971. Athena Parthenos: A Reconstruction. Toronto.

Levaniouk, O. 2011. Eve of the Festival: Making Myth in Odyssey 19. Hellenic Studies 46. Cambridge, MA, and Washington, DC. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Levaniouk.Eve_of_the_Festival.2011.

Nagy, G. 1973. “Phaethon, Sappho’s Phaon, and the White Rock of Leukas.” Harvard Studies in Classical Philology 77:137-177. Rewritten as Chapter 9 of Nagy 1990b.

Nagy, G. 1979/1999. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Baltimore. Revised ed. with new introduction 1999. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Best_of_the_Achaeans.1999.

Nagy, G. 1985. “Theognis and Megara: A Poet’s Vision of His City.”Theognis of Megara: Poetry and the Polis (ed. T. J. Figueiraand G. Nagy) 22–81. Baltimore. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Theognis_and_Megara.1985. Corrigenda: at §77, “Pausanias 1.5.3” should be “Pausanias 1.5.4.”

Nagy, G. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Pindars_Homer.1990.

Nagy, G. 1990b. Greek Mythology and Poetics. Ithaca, NY. Revised paperback edition 1992. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Greek_Mythology_and_Poetics.1990.

Nagy, G. 2009|2008. Homer the Classic. Printed | Online version. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homer_the_Classic.2008. | Hellenic Studies 36. Cambridge, MA, and Washington, DC.

Nagy, G. 2013. The Ancient Greek Hero in 24 Hours. Cambridge, MA. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_NagyG.The_Ancient_Greek_Hero_in_24_Hours.2013.

Nagy, G. 2013b. “Virgil’s verse invitus, regina … and its poetic antecedents.” More modoque: Die Wurzeln der europäischen Kultur und deren Rezeption im Orient und Okzident. Festschrift für Miklós Maróth zum siebzigsten Geburtstag (ed. P. Fodor, Gy. Mayer, M. Monostori, K. Szovák, L. Takács) 155–165. Budapest. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Virgils_Verse_Invitus_Regina.2013.

Nagy, G. 2016|2015. Masterpieces of Metonymy: From Ancient Greek Times to Now. Printed | Online version. Hellenic Studies 72. Cambridge, MA, and Washington, DC. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Masterpieces_of_Metonymy.2015.

Nagy, G. 2015.09.10. “From Athens to Crete and back.” Classical Inquiries. https://classical-inquiries.chs.harvard.edu/from-athens-to-crete-and-back/.

Nagy, G. 2016.01.07. “Weaving while singing Sappho’s songs in Epigram 55 of Posidippus.” Classical Inquiries. http://classical-inquiries.chs.harvard.edu/weaving-while-singing-sapphos-songs-in-epigram-55-of-posidippus/.

Nagy, G. 2017. “Things said and not said in a ritual text: Iguvine Tables Ib 10–16 / VIb 48–53.” Miscellanea Indogermanica: Festschrift für José Luis García Ramón zum 65. Geburtstag (ed. I. Hajnal, D. Kölligan, and K. Zipser) 509–549. Innsbrucker Beiträge zur Sprachwissenschaft 154. Innsbruck, 2017.

Nagy, G. 2017.06.10. “Diachronic Homer and a Cretan Odyssey.” http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Diachronic_Homer_and_a_Cretan_Odyssey.2017.

Nagy, G. 2017.06.25. “Mages and Ionians.” Classical Inquiries. https://classical-inquiries.chs.harvard.edu/magoi-and-ionians/.

Oakley, J. H., and Sinos, R. H. 1993. The Wedding in Ancient Greece. Madison, WI.

Pache, C. O. 2004. Baby and Child Heroes in Ancient Greece. Urbana and Chicago.

Pirenne-Delforge, V. 1994. L’Aphrodite grecque: Contribution à l’étude de ses cultes et de sa personnalité dans le panthéon archaïque et classique. Athènes-Liège.

Strocka, V. M. 1967. Piräusreliefs und Parthenosschild. Versuch einer Wiederherstellung der Amazonomachie des Phidias. Bochum.

Strocka, V. M. 2005. “Kopien nach Pheidias: Logische Stilentwicklung oder Cicrulus Vitiosus?” Meisterwerke: Internationales Symposion anlässlich des 150.Geburtstages von Adolf Furtwängler; Freiburg im Breisgau, 30. Juni – 3. Juli 2003 (ed. V. M. Strocka) 121–142. München.

Thompson, D. B. 1939. “Mater Caelaturae, Impressions from Ancient Metalwork.” Hesperia 8:285–316.

Zanker, P. 1995. The Mask of Socrates: The Image of the Intellectual in Antiquity. Berkeley.



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