2020.08.21 | By Gregory Nagy §0. I show here a picture of a ram being sacrificed. His throat is being slit. This picture, a close-up of a painting on a fragmentary vase now housed at the Getty Museum in Malibu, was noted by Gloria Ferrari Pinney in a brief essay that she wrote in response to an essay of mine. Both essays are posted in Classical Inquiries 2020.07.31. My new… Read more
2020.07.31 | By Gregory Nagy A picture is worth a thousand words. That popular adage fits, to my mind, the picture I have chosen for the cover of my essay here—the word-count for which even exceeds a thousand, though not by much. The picture is a line drawing of an ancient vase-painting. The camera of the mind’s eye is zooming in—on a sheep’s head. It is the head of a… Read more
2017.10.05 | By Gregory Nagy Pindar’s Isthmian 8 highlights the hero Achilles, who is for us defined primarily by the Homeric Iliad—though he had been a prominent figure also in other epic traditions, as we see for example in the surviving plot-outline of the Aithiopis, ‘the song of the Ethiopians’, which was an epic belonging to a body of poetry commonly known as the epic Cycle. Also highlighted in Isthmian… Read more
2015.08.12 | By Gregory Nagy The lamentations that the sisters and the wife of Cato had performed in mourning for him are symmetrical, in their dramatic force, to the lamentations that could have been performed by Porcia, daughter of Cato, for her husband Brutus. I cite here a most revealing passage I found in Plutarch’s Life of Brutus, along with my own translation from the original Greek. We see here… Read more
