2020.08.28 | By Gregory Nagy §0. What we see here in the photograph I show for the cover of Classical Inquiries 2020.08.28 is a sunset at Olympia, site of the ancient Olympics. Backgrounded by the sunset and facing the camera stand three of a group of travelers who had accompanied me on a travel study program in March 2018, extensively documented in Classical Inquiries. I still remember, with fondness, the… Read more
The comments collected here represent Gregory Nagy's ongoing commentary on Pausanias and will be continually updated with further comments. These comments are also to be found in A Pausanias Commentary in Progress = APCIP, co-authored by Gregory Nagy together with Greta Hawes and Carolyn Higbie. Each comment by each of these three co-authors has its own author-stamp and date-stamp. This project, APCIP, is coordinated with a separate project, A Pausanias Reader in… Read more
2020.07.10 | By Gregory Nagy §0. I have run into a problem in trying to come up with an adequate translation of Pausanias when he talks about the Eleusinian Mysteries. Part of the problem, I think, is that Pausanias himself is mystifying in his language about the Mysteries. He seems guarded about giving the impression that he is in any way about to reveal to his readers whatever was periodically… Read more
2020.06.19 | By Gregory Nagy §0. This excursus is a commentary on a passage in Pausanias, 1.28.9, where our traveler, while visiting the Acropolis of Athens, refers to a statue of the goddess Athena there. He is referring in this case not to Athena Parthénos, that is, to Athena the ‘Virgin’, who was housed in the Parthenon. Nor is he referring here to Athena Poliás, that is, to Athena as… Read more
2020.06.12 | By Gregory Nagy §0. At the very beginning of the Description of Greece as narrated by Pausanias (1.1.1), when the ship carrying our traveler approaches the east side of the akrā or ‘headland’ of Sounion, he must have been struck by the view of a magnificent temple situated at the highest point of the headland—a temple that archaeologists have identified as sacred to the god Poseidon, lord of… Read more
2020.05.29 | By Gregory Nagy §0. In this posting, I start by showing a sketch of a picture carved into a gold signet ring originating from the palace at Knossos in Crete and dating from the Late Minoan era. The sketch, in line with conventions followed nowadays by archaeologists, flips the right-to-left orientation pictured on the signet ring itself, so as to show the picture that the ring would make… Read more
