By Gregory Nagy Starting with Anacreon while preparing a compendium of essays on Sappho and her ancient reception Read more
By Gregory Nagy Imagining a sensually self-assertive singing bride—while reading the songs of Sappho Read more
By Gregory Nagy When self-praise connects the speaker to the universe: A diachronic view of the word eukhomai (εὔχομαι) in its Homeric contexts Read more
By Gregory Nagy How the first word in Song 1 of Sappho is relevant to her reception in the ancient world—and to various different ways of thinking about the Greek word hetairā Read more
