Phaon

Imagining a courtesan in the songs of Sappho

2021.02.22 | By Gregory Nagy §0. This brief essay, about imagining the existence of a courtesan in the songs of Sappho, refers not to various modern theories about references being supposedly made to courtesans by the “I” who speaks in her songs. It is, rather, about the imagined identity of Sappho herself in the ancient world. There existed, already then, various theories about the life and times of Sappho. I… Read more

How the first word in Song 1 of Sappho is relevant to her reception in the ancient world—and to various different ways of thinking about the Greek word hetairā

2021.01.15 | By Gregory Nagy §0. In this essay, extracting what I have learned about the meaning of the first word in Song 1 of Sappho in the overall context of studying, in previous essays, the ancient reception of Sappho, I will concentrate on the erotic power of floral perfumes—a power that is driven by Aphrodite and that is poeticized in Sappho’s songs with reference to two boy-loves of the… Read more

The theo-eroticism of mythmaking about Aphrodite’s love for boys like Adonis

2021.01.09 | By Gregory Nagy §0. In a previous study, I used the term theo-eroticism as a way of describing a kind of sexuality that gets transformed into something sublime by way of blending eroticism with divinity. I was following terminology used by exegetes of the Bible in their interpretations of some intensely erotic situations pictured in the Song of Songs, and, although I experimented with applying the terms of… Read more

Looking for references to Sappho’s songs in Athenian vase paintings: preliminary comments

2020.10.30 | By Gregory Nagy §0. In this essay, I am not looking for references to the text of Sappho’s songs in Athenian vase paintings. Instead, I look merely for traces of pictorial references to the contents of these songs, especially as performed in the city-state of Athens during the classical period, in the fifth century BCE and beyond. In other words, I am looking for aspects of Sappho’s songs… Read more

A scenario for exchanges of comments on a planned monograph about the ancient reception of Sappho

2019.03.08 | By Gregory Nagy As the title of this posting for 2019.03.08 indicates, I am planning to produce a monograph about the ancient reception of Sappho, and part of the plan is to organize a system for exchanging comments about this monograph, the text of which is I think not yet ready for publication in print. In this posting, I attempt to get the conversation started by making selected… Read more

Homo ludens at play with the songs of Sappho: Experiments in comparative reception theory, Essay Seven

2019.03.01 | By Gregory Nagy §0. This posting for 2019.03.01 is Essay Seven of a long-term project that started with Essay One at 2019.01.08. The numbering of my paragraphs here in Essay Seven continues from §110 of Essay Six, posted 2019.02.22, continuing from earlier posts. In Essay Seven here, I attempt to round out my findings, as of now, about the reception of Sappho’s songs in the ancient world. Most… Read more